Latest – Page 10 1ef5s

  • Fashion Babylon
    Reviews

    ‘Fashion Babylon’: H:DOX Review 286v

    2022-03-28T20:30:00Z 6i3m34

    Gianluca Matarrese’s doc offers an extravagant but unforgiving front row view of the insular world of fashion

  • Full Of Grace
    Reviews

    ‘Full Of Grace’: Malaga Review 1ur2t

    2022-03-26T23:05:00Z

    Joyful comedy starring Carmen Machi finishes Malaga Film Festival on a peal of laughter

  • Unfinished Affairs
    Reviews

    ‘Unfinished Affairs’: Malaga Review 5b5x5f

    2022-03-24T13:00:00Z

    Juan Miguel del Castillo’s second feature is a Spanish thriller that critiques the male violence of its genre

  • Beyond The Summit
    Reviews

    ‘Beyond The Summit’: Malaga Review 6j1049

    2022-03-24T10:21:00Z

    Two solitary climbers help each other on the arduous slopes of Annapurna in Ibon Cormenzana’s fourth feature 

  • Hide And Seek
    Reviews

    ‘Hide And Seek’: H:DOX Review 476oq

    2022-03-23T08:00:00Z

    Victoria Fiore’s debut feature about a boy on the edge of delinquency captures the wild nature of his childhood in Naples

  • The Invitation
    Reviews

    ‘The Invitation’: Thessaloniki Review 5r2s68

    2022-03-21T14:12:00Z

    Fabrizio Maltese accepts an invitation from Abderrahmane Sissako to continue the late Pol Cruchten’s unfinished film in Mauritania

  • Code Emperor
    Reviews

    ‘Code Emperor’: Malaga Review 2j2v1e

    2022-03-21T11:37:00Z

    Malaga opens with Jorge Coira’s high-speed thriller starring Luis Tosar 

  • Lullaby
    Reviews

    ‘Lullaby’: Malaga Review 5g3i56

    2022-03-20T18:00:00Z

    Alauda Ruiz de Azúa’s debut is an absorbing mother-daughter drama set on the Basque coast

  • Arm Wrestler
    Reviews

    ‘Arm Wrestler’: Thessaloniki Review 1v4s3e

    2022-03-18T19:00:00Z

    Yorgos Goussis expands his 2020 award-winning short into a poetic feature-length character study of his brother Panos 

  • It Is In Us All
    Reviews

    ‘It Is In Us All’: SXSW Review 4x4u2z

    2022-03-14T21:15:00Z

    Cosmo Jarvis explores the complexity of masculinity in Antonia Campbell-Hughes’ Irish dramatic feature debut

  • Alis
    Reviews

    ‘Alis’: Berlin Review 1t315s

    2022-03-01T12:29:00Z

    A sensitive documentary about young women living in a state institution in Columbia wins the Crystal Bear and a Teddy award in Berlin

  • Vicky
    Reviews

    ‘Vicky’: Dublin Review 4bh4r

    2022-02-24T19:30:00Z

    Sasha King’s first solo feature is a powerful documentary on Vicky Phelan’s unwavering fight for women’s health in Ireland

  • Kind Hearts
    Reviews

    ‘Kind Hearts’: Berlin Review 676z58

    2022-02-24T10:27:00Z

    A sweet, gentle exploration of adolescent love between a young Belgian couple wins the Grand Prix in Berlin’s Generation 14plus 

  • Maigret
    Reviews

    ‘Maigret’: Review 2u6w

    2022-02-22T10:58:00Z

    Gerard Depardieu leads an excellent ensemble cast in Patrice Leconte’s take on the classic French detective

  • Unrest
    Reviews

    ‘Unrest’: Berlin Review 3u1z5g

    2022-02-21T09:46:00Z

    Cyril Schäublin is awarded Best Director prize in Berlin’s Encounters for his austere of Swiss watchmaking 

  • Mutzenbacher
    Reviews

    ‘Mutzenbacher’: Berlin Review 6f579

    2022-02-18T13:00:00Z

    Ruth Beckermann’s casting couch is much more than it seems

  • Working Class Heroes
    Reviews

    ‘Working Class Heroes’: Berlin Review 475rr

    2022-02-16T14:44:00Z

    Milos Pusic’s third feature is a strange, dark Serbian satire about workers’ rights

  • About Joan
    Reviews

    ‘About Joan’: Berlin Review 4f1w5d

    2022-02-15T21:15:00Z

    Isabelle Huppert leads a solid cast through this tonally uneven portrait of a woman that spans countries and decades

  • 'Alcarras' still
    Reviews

    ‘Alcarras’: Berlin review 6p23v

    2022-02-15T19:55:00Z

    Carla Simon’s semi-autobiographical follow-up to ’Summer 1993’ impresses in the Berlinale’s Competition 

  • Leonora Addio
    Reviews

    ‘Leonora Addio’: Berlin Review 6f4410

    2022-02-15T18:30:00Z

    A ’gently idiosyncratic memento mori’ from 90 year-old Paulo Taviani, directing alone for the first time since the death of his brother